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Manuel Kingman - Do you agree?

Urban intervention shown in the context of the 2011 referendum. The questions were made from a mixture of two elements: aside recurring phrase was used in the ten questions Question: Do you agree? and other texts used on the country and the revolution, these texts were transcribed verbatim from the official propaganda Alianza Pais, especially of their songs.

Thanks: Susana Anda, Fernanda Andrade, Adrian Balseca, Jaime Sanchez.

Manuel Kingman, 2011

http://www.laselecta.org/2011/05/esta-usted-de-acuerdo/

PUTA COUNTRY, WITH INFINITE LOVE

For X. Andrade

By resource economics Manuel Kingman has been used for the project "Est to you agree? " sharp appreciation of artistic comment, welcome precisely when it approaches the so-called" referendum "on May 7, 2011. In fact, its launch could not have been more precise, right in the final week of electoral competition marked by its nature artificial. Used as part the modus operandi of a government that uses regular elections as a strategy to expand its power over the state apparatus and civil society, the city of Kingman intervention interferes with the regular circuit of an uneven flow of information to different parties and movements have launched from months ago.

This project makes use of phrases on verses of songs from the official party coupled to the original formulation of the questions that are the subject of consultation, he derives the name of the whole Kingman scattered interventions made in the public space in Quito. So, the posters that are fed up of those speeches that appeal directly to the emotional affiliation with a series of abstractions relating to patriotism and revolution, which are then perfomed, while singing, only to give a public account not rationality but rather an act pop of faith: the songs of a political party during a political campaign are those of a political language that requires, in turn, a political karaoke.

The effectiveness of this project is therefore , to use the dominant language of the official campaign intervened through the appropriation of their devotional kitsch cultural producers and supporters. Created the posters and suggest play a role in the manner of subtitles for karaoke, highlighting the nature of the circus atmosphere of the moment, and political and historical tradition in the country. This action is particularly critical when one considers that between the banality of power generated by this system highlights the role of music as part of its inbred and public rituals. The black and white territory fervent affiliations of other or not, remains only the devotion and the mechanical repetition of slogans such rhetoric and discourse that has surrounded this campaign. The subtlety in the phrasing of the questions that passers Kingman launched at the same time, something that blends perfectly with the tone sarcastically resemblance of an official campaign.

Question: Do you agree that the country is filled with clean hands, lucid minds and courageous hearts? Yes Question: Do you agree with the winds of a new nation tour the country? Yes Question: Do you agree that we sing together the beautiful and great country? Yes Question: Are you agree that the country is on it? Yes Question: Do you agree that the revolution is under way? Yes Question: Do you agree to return to have a homeland? Yes Question: Are you under citizen's revolution we? Yeah right, Kingman, okay.

overtaken by me laugh is the last question: Do you agree? The repetitive nature of the platitudes of official discourse on the country, and in the very repetition of this questionnaire is a perfect parody of an electoral process that goes from roosters rights (other than those of bulls, please do not confuse), to monitoring mass media, through a new coaptation of justice in politics, as if you had not been, and as if one day it would leave to be. In fact, these questions may well have been written by - perhaps appropriate for given the squalor of the same - ideologues, fanatics and supporters alike. No doubt there will be people who is convinced that this is the jewel in the crown of genius communication of the government. I'm afraid that would be considered too enlightened and in tune with contemporary art, art that is polluting their quake-Indian reifications.

On the other hand, the poetic absurdity of the infinite love that these questions jingoistic contains, also works to comment on the emptiness of the imaginary opposition to the regime, which must also be infinitely grateful. Burros ears talking about when discussing the politicization of justice, liars while selling the country's interests corporate and foreign, stage and guayabera brave Wig, media figureheads. In short, past presidents, dolphins eternal, and opportunists diverse as zero for producing knowledge about politics, so eager for his own farce. If no one believes them , then, seems to suggest Kingman, why not ask questions of the height and nature.

To return to the economy of resources in this project, in itself a criticism of the squandering electioneering "the" campaign, strategically Kingman questions are not recorded in the stale language of graffiti so coapts by the policy itself, but rather the publicity resemblance cheap, as cheap as politics itself. Simple black and white papers which ballots, yes or no?

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close your eyes and listen to a Kryon channeling! Kryon is a physical entity extra service from the sun inside the Sun is sent to a group that some of us know as Brothers or The Brotherhood. Is responsible for reordering the Earth's magnetic grid for the coming changes in the coming years.

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Prisoners of Freedom: Couples and commitment - because you run away to be okay??

A lot of people wandering looking good love. Living, perhaps, romances repetition. But sometimes fear, in turn, that this search is successful.

When someone dials allow the soul and body in a sustainable manner is very common fear superlative levels reach. Then what is desired, at once feared.

Maybe that's why the love scene is populated by leaks and more leaks, after several nights of love that seemed to anticipate

something interesting and adventurous, but no.

like Cinderella at midnight to play, those who want to find (Not find) run when the romance becomes something of sufficient importance that transparent deep affections of those who get in the belly pain and costs them out.

When you open the doors of intimacy (which, we agree, at this time is more difficult than the physical intimacy) too will take flight without knowing (sometimes) even why do.

When freedom enslaves us

delivery that requires every relationship is seen as loss of freedom is always desired and valued.

already said Kahil Gibran in his book The Prophet: "... I have seen the freest among you wear their freedom as a yoke and as one who had handcuffed." The renowned Lebanese writer had it clear to freedom, when it is an imperative, enslaves us and binds us hand.

A common misconception is to believe that the delivery is a blinded thrown into the arms of someone, without inquiring by what it is. The anxiety generated by fear (of being alone, losing the opportunity to "stay the old maid") encourages reckless situations that would then give rise to that say "See what happens when you give yourself? Hurt you. "

In the false choice between anxious and blinded recklessness, and extreme emotional isolation, many people live their days in perpetual disagreement. Being brave is not being reckless or suicidal. Learning to perceive who we are without fear of that "escape" (if it escapes, is that there should be) is something that is achieved with less pressure and more insight.

vs Sex. privacy

Many people prefer the proximity of the body because it would not stand the emotional closeness. It is strange to say, but sometimes one's sexuality is a way of avoiding the intimacy that can provide, for example, conversation and "go getting" a mutual understanding without haste and with some level of pleasure worth.

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If it is important to know that time is a friend, not an obstacle. The trouble distorts things. So settle down and let the gods speak of love without interference anxious, or false freedoms, ultimately enslave us.

by Mr. Miguel Espeche

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Learning

at any time of life, and perhaps even more so when we want to cause any change, we must say NO .

Some believe that having a certain age should already know everything or worse, we believe that know everything!

To learn need to be like children, to recover the freshness and say " does not know" in peace.

say that learning is when we expand our capacity for action , not when we accumulate information . Therefore, the Learning is a gateway to power: as we learn, starting to be available which was not available before. We can do new things.

To change it is necessary that you open to learning. Einstein used to say that "Most human stupidity is to try different results by doing more of the same."

When you say "this is impossible," you hills to learning, close the doors. Instead, when you say "not yet know how to do this" or "I need to learn it" appears the abundance of life for your dreams and your welfare.

declare you as an Apprentice lets you share what you get, see how they did other people ask to join or other assistance, etc.

We said that learning allows you to do in different ways and when you start to DO things ; different began to different SER. For example, imagine an authoritarian father is always telling everyone what to do, when and how. If one day, instead of giving orders, asking their children what they think about a family situation is it not being a different father?

ACCEPTANCE Our emotions and ambitions, to say ENOUGH and the LEARNING connect us with the power of creation. So, life presents us with a great design, a work of art, a blank canvas today forward.

Culminating this reflection, I'd like to ask what makes you feel alive? Would you like to make your life new colors, new sounds, new perfumes? Is there anything you need to accept, forgive, let go, let go today ...? Is there any ambition you'd want to connect today? Is there something we say enough? What new learning do you need? Who you can help?

Remember that life is a game with a Referee mysterious ... but it is a work of art ... and the artist is you!

If this makes sense for you, if you feel what I bring is an opportunity for your life, I invite you visit my personal page and let me continue accompanying you on new learning and discovery. ;                                              

  Ms. Andrea Navas

http://www.armonizandorosario.com.ar/servicios/autoayuda3.htm

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makes us powerful "What you think of me is not my business"

To be free is essential to overcome the need for approval from others.

When we rely on the opinions of others we become the slave of another.

Dr Dyer said that before a conference of 500 people, there are always those who agree with their approach and others who criticize him.

But when one is true to yourself, be what others say, is "matter of another."

live according to our own values, being upright, freeing us from slavery to the approval of others.

If you've acted from the heart and lotro and this will not responded according to your expectations, you were expecting something in return for your favors. Love is to love him unconditionally to another without passing bills for your love.

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New waves ...

this week were everywhere. Three samples ITAE of students in three different venues. My journey through the halls of the Faculty of Architecture, Catholic University, the Gallery dpm and finally by the Board of MAAC Galecio was, fortunately, low to high.

could care are certain details of these "presentations in society, but welcomes the truly fundamental fact: the renewed emphasis on the production of works, which was perceived somewhat crestfallen at the Institute, whose presence in the public awareness seemed to be orbiting mainly around competitions and exhibitions. The fear of experimentation and be subject to scrutiny seemed to have perched a little on pupils who have more years of study. It also noted the involvement of the artists on issues of management and curatorship, which was also pending task.

Despite the lack of consistency and natural unevenness own college fairs the last show left me feeling that the very pleasant scene Guayaquil have revitalized energy for awhile. There quarry. Several names, some new, some little known "I have been hanging around the head, and have to start to make pasta heat to the newly graduates, who having played a stellar role in changing paradigms art in the city now carry the weight of the letterhead "professional" since leaving the protective properties of the academy. On that side is going good ... just is that the institutions of official culture (from the press to the museum) will match for that other side ... the thing looks

Rodolfo Kronfle

Chambers April 15, 1911

"This page intentionally left Blank" - MAAC

Curated and text by Jorge Navas Ona and Dennys

Co-curator, management, design and installation by Santiago Sojos

Download complete catalog in pdf

partial illustration of works:

Jorge Oña

Once upon a time ...

Watercolor on cardboard

110 x 75 cm. 2011

Jorge, with a strong interest in traditional media of drawing and painting, from exhaustive exercise in the trade of these, looking for ways to update themselves , while supports " apparently exhausted" . Obsessed with the way and sensationalism, cutting aware of derogatory remark that is often judged this position, simply seeks , surprising the viewer and cause uncertainty and fascination in the retina , without "frills concept ".

also emerging artist, immersed in extensive experimentation, recur between his work in dialogue with art history, appropriating works, conventions and / or ideology as a strategy.

In Once upon a time ... presents a "parody melancholy" , using a traditional icon in the history of art, " picnic" of Manet, in symbolic play in which means a change of perspective, reproduces part of this painting, which refers to both start-Modern Project officially representing their characters which abandoned, lost amid a forest species as a story who wants to start, a sort of denial and neglect, resentment metaphor for the frustrations of modern isms .

Dennys Navas

HortusGardinus

Tempera, graphite on paper eferográfico

200 x 110 cm. 2011

Dennys concerns are, above all, paintings. Appropriating the imagery of subaltern culture , makes use of elements that we identified them immediately with this and other social forms .

The position of your gaze falls under this reality and not from other perspectives. However, it should be emphasized that their proposals at any time any attempt to claim they have social or intended re-present the "periphery" in a bitter speech exhausted.

In his work, through a personal exercise of drawing and painting The combination of elements from the most contrasting social strata, causes a very suggestive image subtly questioning these realities as cultural constructions.

HortusGardinus is a work that is defined under the character of project, which presents a Utopian Landscape , a model urban poor with housing characteristics covered with decorative landscaping - defensive predominant in residential and luxury homes.

The garden as natural urban landscape in the contemporary sense, is implemented when the French people aristocratic view the lush gardens of the eighteenth century, after the turmoil of the French Revolution. Thus, the work takes a historical sense, reaffirming also the current connotations.

" The term" garden "known since the twelfth century, the compound appears to come from Latin-Germanic" HortusGardinus "which literally means" garden surrounded by a fence, "as if the garden had to defend against animals and even thieves. "

* Dennis Navas, statement of work.

Santiago Sojos

News scraps

Polyptych - mixed media on board Measurements

variables

2011

Interests in Santiago production are based on the perception conditional representation, which is due to arbitrary conventions committed to using media images of mechanical reproduction closely related to graphic design , in the Warholian spirit references focused on family, popular culture The recovery of objects considered anachronistic aesthetic, as well as the intervention in public space and the use of images that do not require academic knowledge or special training. Santiago

extracts were announced advertisements in magazines of different genres, which appeared and had a boom at the beginning of the last century between 1900 and 1930 very specific ads that advertised at present cause for its strangeness, a ludicrous interpretation.

News scraps polyptych is a randomly ordered, subject to variability in composition and size for his character work in progress , which by the exercise handcrafted signage and screen printing precarious modes of traditional advertising deeply rooted in the popular city, appropriate and large-scale reproduces these notices in the form of signs and labels on wood.

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Thus, at the generalization of serial reproduction virtually unlimited and character deshistorizante attributed it, immersed in a technological context, the process of re-presenting these advertisements anachronistic Benjamin evokes the aura and claimed as an aesthetic value in the search for a collective historical memory.

Jimmy Lara Zero Degree

Photo diluted and acrylic on canvas

180 x 200 cm.

2011

Jimmy research under intense experimental searches the media themselves and ways to update and confront generated.

Zero Degree In , the artist in a kind of situationist drift, finding walking has made a photographic record of places where housing eviction not reported as legally part of the city have been demolished. Jimmy

the dye extracted from these images through a chemical process, dissolving the image as a metaphor for collapse, then through the practice of painting using the pigment extracted relocates these " representations / structures falling " on the picture plane, which has reproduced part of the grid map of the city where the sectors are shown photographed.

The evident contradiction as a discursive; based build ruins, the persistence of the technological image versus the inherent fragility of the subjects the voracious media . This refers to the instability of memory, the inevitable premature exhaustion suffered by the image on the culture of the immediate , and also reflects on the conditions that shape the urban landscape.

Pedro Ciales

Table-Canto-Testa

Installation - iron rods

Variable dimensions 2011

Pedro works questioning the devices mimetic representation, where reality it is combined with , noting the dubious provenance images and the uncertain appearance of the forms or vulnerability of the senses.

Tabl In to -Canto-Testa , with a subtle exercise drawing, using the most basic form is and represents the space, a cube , uses the same underlying metal rods architectural constructions and manufactures trompe this puts on evidence that X-ray, skeletal a wall revealing its constituent units, the bricks and where more than say, raises questions about space as a psychological construct .

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